Navin Tyagi, general secretary of the UP unit of Hindu Mahasabha, a right wing outfit has made this outrageous demand. He even further demands girls wearing jeans or skimpy dresses should be labeled as prostitutes.
Mr Tyagi might have forgotten that even during God’s times there were Rukmanis and other dancers who were treated an equal member of the then early civilizations. People were open minded and civilized than the present mongers who at night spend time and money in dance bars and during the day whole heartedly criticize them.
A dance is beautiful form of art and needs talent to perform them. This is 2014 the modern era with the full intrusion of the internet. How can our girls be aloof of this global village phenomenon? It is the sick mind set of filthy man to have such ideas.
They are definitely been directed by higher up people of power to instigate such ideas in the society. Then we honourable ministers saying wearing bikinis in the beach should be banned. Wearing short dresses should be banned. Then what is the right attire for places like this? If these wise men could suggest.
We live in a secular system where we should respect each other’s sentiments and culture. When a particular community wears skirts as a decent outfit nobody has the right to cry foul. So let’s not be surprised to come across such more disturbing messages in future.
Mumbai, Dec. 4 — Back in 2011, when Kangana Ranaut and Aanand L Rai worked together for the first time, they delivered a hit, Tanu Weds Manu. Now, they’re currently working on a film that is being touted as a sequel to the 2011 comedy, but has no similarity to the original story.
Kangana’s performance in this film seems to have impressed the director as he has now decided to cast her in another one of his films. She will be seen playing the role of a new-age Heer in that project.
Apparently, after seeing Kangana’s performance in director Vikas Bahl’s Queen, Aanand had written a challenging role for her for the ‘sequel’. But when the film’s shoot started in Delhi, he realised that she was pulling it off with great ease. Aanand says, “Kangana and I love to work with each other. After Tanu Weds Manu, I wanted to challenge the actor in her, and she overcame those challenges very smoothly. So, I decided to come up with something even more challenging for her.”
Is it true that he plans to give Kangana a tragic avatar in that film? “Yes, that idea has always been in my mind. I have already had a tryst with a tragedy (with his 2013 directorial venture Raanjhanaa), so I don’t mind revisiting it. But the idea will take its own time. I haven’t set a deadline for it since I can’t think of anything else except the sequel (to Tanu Weds Manu) right now,” says Aanand.
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The most searched celebrity of 2012, former adult actress Sunny Leon born on May 13, 1981 in Ontario, Canada. She made her Bollywood debut by Jism 2 (2012). The movie was blasted by the critics, and protests were held over India because of promotion of an adult star. She is ready to play role in her second movie, Ragini MMS 2.
Born in a Jat Family on 30 August 1976 in Jodhpur, India. Chitragand Singh best known for starring in Hazaaron Khwaishen Aisi (2005) and for her first mainstream commercial film, Desi Boyz (2011). “You have outdone Smita Patil,” said Shekhar Kapur, when he saw Chitrangda Singh’s performance in her debut movie Hazaaron Khwaishein Aisi. And he is not the only one. Time and again Chitrangda has been compared to the legendary Smita Patil.
Jacqueline Fernandez
Sri Lankan beauty Jacqueline Fernandez, born on 2 June 1985 is a former model and beauty queen who won Miss Sri Lanka Universe in 2006. She has received an International Indian Film Academy Award
for Best Female Debut and Stardust Award for Lux Exciting New Face in 2010, for her role in Aladin. In 2012 she gave 2 major hits, namely Murder 2 and Housefull 2. In 2013 she got fame another hit Race 2.
Nargis Fakhri
Fakhri was born in Queens, New York on October 20, 1979, to a Czech mother and a Pakistani father. Fakhri appeared on America’s Next Top Model Cycles 2 and 3 in 2004. She posed for the 2009 Kingfisher Swimsuit Calendar. In 2011, she made her feature film debut in the Bollywood film, Rockstar released on November 2011. She is currently signed on for a three film contract with Akshay Kumar’s Hari Om Productions.
Bipasha Basu
Basu was born on 7 January 1979 to a Bengali family in Delhi. She debuted in a negative role in Ajnabee (2001) which earned her the Filmfare Award for Best Female Debut. She is perhaps the most fittest actress in Bollywood. She has released numerous DVDs on fitness. She is renowned for her item songs like “Phoonk De” in No Smoking (2007), and “Beedi” and “Namak Ishq Ka” in Omkara (2006) amongst others. Basu is slated to make her international film debut with the 2013 Australian film Singularity.
Anushka Sharma
Former model and actress Anushka born on 1 May 1988, she debuted opposite SRK in Rab Ne Bana Di Jodi (2008). In 2012, again she act with Bollywood’s King, SRK in Jab Tak Hai Jaan. The film was a blockbuster. Her performance was widely hailed by critics and she outshone her fellow co-star, Katrina Kaif. She is known for portraying young, energetic characters, which go well with her age.
Deepika Padukone
The hottest most telented model and actress Deepika Padukone is at number 4. Born to badminton player Prakash Padukone on 5 January 1986, she chose to become an actress. She made her acting debut in 2006 and got huge fame after Om Shanti Om. She was noted for portraying modern, independent women in several commercially successful films, including Love Aaj Kal, Housefull, Cocktail and Race 2 her performance in the latter earned her unanimous critical appreciation and Best Actress nominations at several award ceremonies.
Kareena Kapoor
Born into a film family in Mumbai on 21 September 1980, She made her Bollywood debut in 2000 war drama Refugee. She mostly in the list of the top ten actress. In 2012 she married to B’wood star Saif Ali Khan, and gave 2 major hits. She starred with Aamir Khan in the movie, Talaash. She performed an item song in Salman Khan’s film, Dabbang 2. The song, “Fevicol Se” was a huge hit and is featured regularly on all music channels.
Katrina Kaif
One of the most beautiful actress of all time, Katrina Kaif born on 16 July 1984, in Hong Kong to an Kashmiri Indian father and an English mother. She made her acting debut in 2003 Boom. She earned commercial success with Namastey London and later earned public recognition for playing glamorous roles in such male-centric films as Partner (2007), Race (2007) and Singh Is King (2008),New York (2009), Rajneeti (2010), Zindagi Na Milegi Dobara (2011), and Ek Tha Tiger (2012, the second highest-grossing Bollywood film) and Jab Tak Hai Jaan alongside Shah Rukh Khan. She is set to appear in two high-profile productions; Vijay Krishna Acharya’s adventure film Dhoom 3 and Uday Chopra and Siddharth Anand’s Bang Bang.
Priyanka Chopra
The former Miss India and Miss World ,the actress, singer and songwriter Priyanka Chopra (PC), born on 18 July 1982, in Jamshedpur, Bihar. She made her acting debut in 2002 with the box office super hit Andaaz opposite Akshay Kumar. In 2012, her films Barfi and Agneepath were super hits, and her acting was hailed by critics. She was given the “Hottest Girl of the year” title by Maxim.
Shekhar Kapur (born 6 December 1945) is a critically acclaimed Indian film director, producer and actor. He rose to popularity with the Hindi language movie Bandit Queen based upon the life of Phoolan Devi, an infamous Indian outlaw and from TV Series Named Pradhanmantri (TV Series)(Telecast on ABP News). His historical biopics of Queen Elizabeth (Elizabeth and its sequel The Golden Age) garnered 7 Academy Award nominations, including Best Picture and Best Actress for Cate Blanchett.
His future projects include Long Walk to Freedom, Paani, The Last Full Measure. A third episode in the Queen Elizabeth series is planned. According to screenwriter John Rogers, the success of Elizabeth led to Kapur being tapped to work on an adaptation of Isaac Asimov’s Foundation Trilogy, but the project was eventually shelved. Kapur also tentatively planned to helm a motion picture account of the life of the Buddha, entitled Buddha, but the plans were later dropped for unstated reasons. He also planned to adapt Larklight, a book by Philip Reeve. Kapur also traveled to Yerevan, Armenia to explore the possibility of making a film about the Armenian Genocide.
In an interview with Associated Content, Kapur announced he is no longer attached to Larklight.
He is set to direct Paani. The film reported to star Sushant Singh Rajput. The film will be produced by Aditya Chopra. Its music will be composed by A. R. Rahman.The announcement for the film was made at the 63rd Cannes Film Festival in 2010. He has also tied up with Keyur Patel, Chairman of Fuse Global for the co-funding of Paani, who is one of the major financiers in Hollywood when it comes to Mega-projects.
- Owner of Tommy the chimp tells Guardian case is ‘ridiculous’
- Attorney for Nonhuman Rights Project likely to continue appeal
A chimpanzee is not a legal person, a New York appeals court has decided, saying that no matter how great apes are, they cannot give back to society in a way that merits human rights.
Rejecting an animal rights group’s bid to expand the definition of “legal person” to chimpanzees, a five-judge panel found that although the animals are autonomous beings they do not take part in the societal bargains that guarantee rights like bodily freedom.
In October the attorney Steven Wise, representing the Nonhuman Rights Project, made a case that a privately owned chimpanzee named Tommy was unlawfully imprisoned in New York, and should be transferred to a sanctuary in Florida. Wise argued that chimpanzees, having shown self-awareness, intelligence and empathy, are close enough kin to humans as to deserve some rights.
But while the court granted that chimpanzees share much with humans and are not simple objects, like chairs or tables, justice Karen Peters wrote in the court’s decision that apes cannot contribute to society or suffer legal consequences of their actions.
“Needless to say, unlike human beings, chimpanzees cannot bear any legal duties, submit to societal responsibilities or be held legally accountable for their actions,” Peters wrote.
Wise’s cases on behalf of Tommy and three other chimpanzees are the first to argue that habeas corpus can apply to a non-human. The writ would have forced Tommy’s owner, Patrick Lavery, to prove to the court he could justify Tommy’s imprisonment.
From his home in Florida, Lavery told the Guardian that he found the idea of giving Tommy certain human rights “a ridiculous statement, in my opinion”.
Lavery has declined to appear at any of the case’s hearings and learned of the court’s decision from the Guardian. He defended the small building in which he keeps Tommy as “an excellent home” with TV, several rooms and outdoor enclosures. “He’s happy there,” Lavery insisted.
“He’s not being illegally detained. He’s legally there, and of course we have to abide by the rules. Tommy’s got an excellent home, and he never knew what it was like to have a home where he was loved and cared for before.”
Wise did not immediately respond for a request for comment. He has said he will take the case to New York’s highest appeals court.
Peters wrote that the courts have not left Tommy and other chimpanzees defenseless, pointing out that New York has a ban on keeping primates as pets. She said that Wise could lobby the state to pass laws granting greater protections of chimpanzees.
Wise’s suit does not allege that Lavery has broken the law in his treatment of Tommy, and Lavery said that he follows all federal and state regulations. Lavery said he found the central premise of Wise’s suits mystifying.
“From what I understand, after he frees the chimps he’s gonna go after the elephants, he’s got other species on his list,” he said. “But they’re not gonna be free at another sanctuary.
“It’s different if an animal’s been pulled out of the wild, but an animal that’s raised domestically, by humans, they’re used to being fed and cleaned up after.”
In many of his arguments, Wise notes that habeas corpus was used in the 18th century to help free a slave, a comparison Lavery considered inappropriate.
“If a slave means you have somebody wait on you and feed you and clean up after you and do all that, to me that’s not the definition of a slave, in my opinion,” he said.
Wise has also argued chimpanzees should have legal “visibility” as children do, but Peters was careful to include a riposte to that line of thinking.
“To be sure, some humans are less able to bear legal duties or responsibilities than others. These differences do not alter our analysis, as it is undeniable that, collectively, human beings possess the unique ability to bear legal responsibility,” Peters wrote.
The appellate court’s decision upholds a state judge’s 2013 ruling. Before a separate court on Tuesday, Wise argued on behalf of a deaf chimp named Kiko, who lives with his owner in Niagara Falls.
A Gorkhaland state: Exploring the possibilities
At a time when the Indian state is confronted with many critical socio-economic problems, it is really quite disturbing and disconcerting to see some dormant statehood movements rearing their heads in the wake of the recent formation of a new Telangana state through division of the extant state of Andhra Pradesh. Such demands inter alia include demands for a separate state of Gorkhaland (comprising Darjeeling and adjoining areas of Terai and Dooars), Kamtapur (comprising areas of Assam and North Bengal) and Greater Cochbehar (comprising most of North Bengal) in West Bengal, Bodoland and Karbi-Anglong in Assam, Harit Pradesh, Bundelkhand and Purvanchal in Uttar Pradesh, Mithilanchal in Bihar, Vidarbha in Maharashtra and Saurashtra in Gujarat.
It is really quite painful to know that even after 67 years of our hard-earned independence, we are yet to complete our state-building process, not to speak of the nation-building process. One feels that all these statehood movements of different genres are nothing but morbid expressions of these incomplete processes. Having seen, at least, one such movement at close quarters and having followed many others quite closely, one can definitely say that most of these statehood movements are more of a reflection of the selfish and egotistic desires, steeped in self aggrandisement, of the local elites of different hues than being embedded in the genuine aspirations of the local inhabitants. Most of the times, such movements are inspired by the politics and politicking of one or the other kind rather than being rooted in the real desire for a holistic development and good governance of the area concerned.
In West Bengal, the demand for a separate state of Gorkhaland is claimed to be as old as 107 years. The proponents of this movement advance many reasons in support of their demands. They argue that Darjeeling geographically was never a part of West Bengal, that Darjeeling has been hugely exploited and underdeveloped by West Bengal and that Gorkhas being a different ethnic community, they deserve a separate state of their own. Then, the Gorkhaland supporters also demand the 398 contiguous and non-contiguous mouzas (read villages) of adjoining Terai and Dooars areas of Siliguri and Jalpaiguri to be added to the proposed Gorkhaland state, mostly against the will and desire of the people therein. The argument proffered for such inclusion is the inhabitance of a substantive Nepali speaking population in these areas though there is already a counter movement by majority of the population in these areas against any such thinking or attempted move.
Now, if we dissect and discuss all these reasons along with some other more important associated factors of statecraft dispassionately, the demand for a separate Gorkhaland state definitely does not appear more than emotional outpourings of the people of Darjeeling. If we really consider the historicity of Darjeeling as a ground for formation of a separate state of Gorkhaland, then all the hard work done by our founding fathers led by the redoubtable Sardar Vallabhbhai Patel of unifying those 565 motley princely states into a united Indian federal state might come apart. The real idea behind consolidating all these small princely provinces into a larger unit to be part of a larger federal entity called India was to put together a unified and a more cohesive country. However, once we allow this logic of historicity, India should actually be having hundreds of states today with West Bengal itself being broken into many. Such regressive revisionism would be a very negative development and might unravel our composite co-existence as a modern nation-state.
Now, let’s consider some other issues involved here. The hill areas of Darjeeling (Gorkhaland movement is primarily confined to the three hill sub-divisions of Darjeeling district of West Bengal district namely Darjeeling Sadar, Kurseong and Kalimpong) has a population of around 9.75 lakhs of which around seven lakhs people can roughly fall into the category of Gorkhas, the remaining being Lepchas, Bhutias, Marwaris, Biharis, Tibetans and other non-Gorkha communities. So, the proponents of this movement are actually seeking a separate state for these seven lakh people, the others perforce being part of the movement with no choice being available to them. In fact, the Lepchas have already been expressly complaining of being shortchanged by the Gorkhaland champions. The term ‘Gorkhaland’ itself is not a hold-all concept and ergo, does not do justice to the identities of the various other ethnic communities as residing in Darjeeling.
So, if a recognition were to be given to a statehood demand for a people of seven to nine lakh population, then how many constituent states or provinces should we be having in this country of over 125 crore people. If our mighty Gorkhas were to be given a separate state, then how many states are we actually bargaining for in a country where we have over 5000 ethnic communities and castes with around 850 languages. If this demand is recognized, then what justification shall we have to deny a state for the Yadavas, the Jats, the Rajputs, the Santhals, the Meenas and what not, with most of them having a sizable population, in fact, many of them being much more numerous than the Gorkhas.
Again, the demand for ceding the contiguous mouzas or areas with sizable Gorkha population attacks the very concept of pluralism which is the hallmark of our salad-bowl or Ganga-Jamuni co-existential culture. The Gorkhaland proponents desire that all the nearby areas with substantial Nepali speaking population also be given to the proposed Gorkhaland state. Even if we ignore this most important factor of our societal pluralism being compromised as a result of such a parochial demand for a while, still such a demand is very difficult to be accepted for some practical considerations.
First, this is plainly wrong to assume that all the Nepali speaking people are ipso facto Gorkhas or want Gorkhaland. Secondly, most of the demanded areas have a predominant majority of the people other than the Nepali speaking population. Thirdly, even some of the areas where the Nepali speaking people are in majority are mostly enclaves within another district or other community dominated areas. Annexing these areas to the extant Gorkhaland Territorial Administration (GTA) or later to the demanded Gorkhaland state is administratively not a feasible proposition as also observed by the Justice Shyamal Sen Commission which was constituted to explore the feasibility of such inclusions. Also, the Nepali speaking population in most of these mouzas is estimated to be not more than 20-30 per cent meaning thereby that by ceding such areas to the new entity, a great disservice shall be done to the desire of the other communities who are in majority in those mouzas. In fact, there is already a strong counter movement against this desired merger with the proposed Gorkhaland state.
Besides, once we recognize such a demand, a Pandora’s Box shall be opened. It not only jeopardizes the plural character of our society by artificially trying to make it monochromatic, but also opens the flood-gates for similar such demands from vested interests in different parts of the country. After all, every state has some population of one or the other ethno-linguistic groups which can suitably be demanded by other states. By this logic, all the Bengali speaking areas of Assam should come to West Bengal or the Hindi speaking or tribal dominated areas of latter should go to Bihar or Jharkhand respectively. By the same logic, the entire Hindi heartland of North India should become a huge monolithic state. The resultant outcome of acceding to such a demand may indeed be very chaotic. It is a very archaic and regressive thinking which ought not to be given any further encouragement.
Again, the alleged historical exploitation of Darjeeling by the state of West Bengal does not hold because Darjeeling has the best of social development indicators in the country and is definitely among the best in West Bengal. As per the West Bengal Human Development Report, 2004 prepared under the supervision of the United Nations Development Programme (UNDP), Darjeeling was ranked 2nd and 4th in terms of the gender and human development indices respectively, among all the districts of West Bengal.
If underdevelopment and exploitation of Darjeeling can be cited as a justification for statehood, then Darjeeling ought to fall much behind in the queue for promotion to statehood as there are many more regions in the country which would have the first claim to statehood. Be it the income, literacy rates, educational attainments, nutritional status, percentage of BPL (below poverty line) population, longevity, infant and maternal mortality, overall health status of people and infrastructures, Darjeeling fares much better compared to most parts of the country or the different districts of the state of West Bengal. Be it noted that Darjeeling has for the past more than two and a half decades been under such autonomous local self-government bodies as Darjeeling Gorkha Hill Council (DGHC) and GTA.
But still, if the statehood proponents believe that Darjeeling needs more development, then statehood is definitely no solution. We are all well conversant with the experiences of some of the already existing states whose development record is just pathetic, to say the least. Jharkhand became a state against the same background of alleged underdevelopment, but even after a lapse of more than a decade’s time, it is still much far off from realization of the developmental goals it set out to achieve way back in the year 2000. Jharkhand today fares very badly among the newly created states and has only become worse since its creation. The fact remains that the proponents of any such statehood movements including those of Gorkhaland should actually be talking of good governance and good administration than anything else. A statehood trapping sans the desideratum of good governance will achieve nothing but zilch.
Then, given its size, both demographically and geographically, Darjeeling already receives a disproportionate per capita share of resources compared to many other parts of the country. And a substantial share of these resources come from the state of West Bengal meaning thereby that West Bengal has traditionally been providing disproportionate resources to Darjeeling, often at the expense of the more backward and deserving areas of the state. The extant Gorkhaland Territorial Administration’s revenue from all sources is assumed to be not more than three crores annually. If we also include the revenue received by the state government from such sources as land, excise, transport, professional and sales tax, then at most the figure is likely to go up to around 30 crore rupees. At the most and at its best, tapping all the obtaining and potential sources of revenue, it can barely go up to 100 crore rupees annually in the most ideal of situations. In the shorter run, however, a 50 crore rupee annual revenue appears a more practical figure.
Moreover, GTA reportedly has a non-plan expenditure of around 600 crores at the moment which with plan and schematic expenses would come to around 1400 crores. If at all Darjeeling comprising the three hill sub-divisions becomes the cherished Gorkhaland state, the combined plan and non-plan expenditure is likely to shoot up to, at least, 2000 crores factoring the expenses for general and police administration, not to speak of various attendant expenses which comes with the formation of a new state. So, if a region which has the best of developmental indicators and which has the revenue generation potential of only around 50 crore rupees, why should they be getting a disproportionate 2000 crores at the expense of the more deserving parts of the countries, particularly those areas of Chhattisgarh, West Bengal, Orissa, Bihar, Jharkhand, Maharashtra, Andhra Pradesh and other states reeling under extremist menace.
The Gorkhaland proponents should show that they are in a position to bear all the non-plan and, at least, a portion of the plan expenses of the proposed Gorkhaland state before demanding the same. If such a new entity expects to be spoon-fed through the Central government’s doles, would not there be similar justified demands from different parts of the country. And if we allow this for one particular region, can we deny the same to others. We ought to understand that an eponymous Gorkhaland state is not just about emotional wishes of our countrymen in Darjeeling, but has much far-reaching insidious implications for the rest of the country as the same would only spur more and more such demands as already seems to be happening in the wake of the announced creation of a new state of Telangana.
The Gorkhaland proponents often compare their status with the neighbouring Sikkim or the smaller states of North East when they claim statehood or disproportionate share of the developmental pie. We are all aware of the historical reasons and circumstances which led to the statehood or special status of these north-eastern states. If Telangana has today been proposed to be a state, it is because of its geographical compactness, a suitable demographic size, administrative viability and self-sufficient resources. But the same does not apply to many such demands elsewhere including Gorkhaland. If all of us keep demanding statehood on such grounds, then our state-building process shall never come to an end, not to speak of the nation-building process. The Gorkhaland proponents should actually aim at making the GTA work successfully, which came into being through a tripartite agreement between the Central Government, the Government of West Bengal and the dominant hill party i.e. Gorkha Jan Mukti Morcha (GJMM) on 18th July, 2011. GTA is an autonomous and empowered body which has just completed one year of its existence and can be suitably harnessed to fulfill the developmental aspirations of the local people, if development is what they are looking for.
One really feels that our policy makers should really do some serious thinking to consider all such statehood demands dispassionately once and for all through the instrumentality of a second States Reorganization Commission or any other such mechanism as might be practically possible. Any such decision by the said Commission should be predicated on some logical pre-determined criteria including geographical contiguity and compactness, administrative cohesiveness and financial viability. If we continue dithering on such issues and allow them to be decided by the narrow forces of politics and politicking, then we are certainly doomed as a modern nation-state with the entrenched vested interests slowly but surely eating into the vitals of our beloved country.
Action Jackson Review By Martin D’Souza, Glamsham Editorial
Xavier is a Don who operates from Bangkok. He is bald, has one false eye and controls his empire with help from the cops and administration. He has a ‘killer’ team who wear orange suits. If they cannot kill, they get killed; rather kicked out from the topmost floor of a tower by his sister Marina.
Now Marina has taken a fancy for AJ, Xavier’s right hand man, who rescues her from a dozen goons. She wants him, he does not want her. She vows to get him. Xavier, her brother, decides he will help her get him, even though he is married.
That’s the Bangkok part of the story, which we are told after the interval. Before that we are dealing with Vishy, a crook with a good heart. Khushi takes a fancy for him after she sees him in his underpants in the change room of a mall. Later, she bumps into him in a public latrine at a petrol pump. After both these instances she gets lucky. She now believes he is her lucky charm and starts following him. Soon she is in love with him and he with her.
Suddenly, Xavier receives a message that AJ is in Mumbai. He speaks with the local cops and tries to kill him. The cops run after Vishy. Vishy runs into a hospital, and AJ is captured. Both AJ and Vishy are perplexed at the turn of events, so are we. But, to be honest, by then, we have no option but to sit and watch the vengeance being wreaked on the screen without any reason. Suddenly you have Vishy dancing with Khushi and AJ doing the same with his wife.
Wait, I forgot to mention the best scene here. AJ’s wife is seriously injured. She is pregnant; he flies her to India and after five surgeries in five months, the last one being that of the spine, she delivers a baby boy!
Sorry to be going back to the taklya, Xavier (Anand Raj). Just being bald, with one false eye and a silly grin does not mean you are as menacing as Shetty, the yesteryear villain. This Xavier can be best described as a moron who does not even remember his sister’s name when she is going up in flames. He keeps hyper-ventilating ”Maria, Maria.” And speaking of Marina (Manasvi Mamgai), she tries too hard to be sexy and vicious, ending up as a mannequin.
Khushi (Sonakshi Sinha) is still in her Chinta ta chita chita mode. She needs to do more with her talent. Yami Gautam on the other hand is just a caricature. In one scene, when she is being chased by Xavier’s goons, she telephones AJ and tells him. He asks her, ”Kaise dikhte hai?” she replies, ”Saab ne orange suit pehna hai!” She survives massive hammering, even after recovering! Made of steel this girl!
Kunaal Roy Kapoor is made a buffoon of. He is either farting, eating or mouthing silly lines.
As for Ajay Devgn, he goes through this mindless script and direction with the conviction of a committed player. He dances, fights, emotes and jokes around with style, never once giving you the impression that he is part of this nonsensical farce. He is in a zone of his own. His fans are in for a crazy time. They will have AJ and Vishy to choose from!
To hell with commitment or appointment; this one is pure punishment.
3 / 5 stars
Juno director Jason Reitman makes a spirited attempt to capture the essence of modern digital life, as porn-addicted husband Adam Sandler finds he’s not the only one seeking online solace
There’s a funny YouTube compilation from dozens of modern thrillers and horror films, simply showing panicky people all saying: “My cellphone! I can’t get a signal!” Modern movie-making is unhappy about modern digital devices messing up traditional plot devices. Cyber-interconnectedness is spoiling solitude, ruining jeopardy. So this movie from director Jason Reitman and his co-writer Erin Cressida Wilson (which they adapted from the 2011 novel by Chad Kultgen) is an interesting, spirited, if finally rather sentimental attempt to tackle this issue and set it to rest. It wants to show 21st-century lives being lived out on screen and online, with both older and younger generations now dependent on the web. Teens get bombarded with adult material unimaginable to their parents at the same age; grownups are infantilised, tempted into digital arenas of fantasy and irresponsibility.
It’s a watchable soapy drama, though audiences who remember films by Todd Solondz or Antonio Campos on similar themes – or indeed Erin Cressida Wilson’s own great screenplay for Secretary (2000) – may find it a bit softcore. One subplot incidentally comes close to reproducing the punchline of Rupert Holmes’s song about piña colada and getting caught in the rain.
The film has a dreamy framing sequence set in space, accompanied by deadpan narration from Emma Thompson, musing on Planet Earth being in Carl Sagan’s words, a “pale blue dot”. This puts the teen angst into perspective, rather like the observatory scenes in Rebel Without a Cause.
The taciturn male at the centre of this ensemble is Don, a depressed guy in a stagnant marriage played by Adam Sandler; his only solace is online porn, far more important than the old-fashioned staples of TV and beer. In search of his fix, he one day finds that the Wi-Fi is only working for the computer in his 15-year-old son’s bedroom, where a browser history reveals that young Chris (Travis Tope) is consuming harder stuff than his dad. This is impeding his relationship with super-hot cheerleader Hannah (Olivia Crocchicia), whose failed-actress mom Donna (Judy Greer) now manages Hannah’s own lucrative subscription porn/voyeur fansite. Meanwhile, Tim, played by Ansel Engort (from The Fault in Our Stars) has dropped out of the school football team to dedicate himself to (or, in his words, “invest in”) an immersive online fantasy roleplay game, and has now formed a relationship with shy Brandy (Kaitlyn Dever), whose uptight, controlling mom (Jennifer Garner) monitors her every keystroke. The kids’ cyberfreedom is dependent on the adult bill-payer.
What a fantastically unwholesome situation it all is, and yet interestingly this film is both a melodramatic intensification of real-life web addiction, and also a cautious dilution. There’s nothing in this film about people walking hilariously into lamp-posts while looking at their phones – but also nothing about revenge porn, nothing about private humiliation going viral. Yet there are sharp moments of alienation and fear. Reitman and Wilson show that Donna’s creepy fansite becomes acceptable to mother and daughter simply because they are so deeply excited by the increasing numbers of subscribers and the accretion of homemade celebrity, very like the weekly uptick in follower numbers that no Twitter user admits to being interested in.
At first, Reitman makes quite a conspicuous play of showing online graphics on the screen itself: the Facebook pages, the web browsers, the text messages get flashed up over the frowningly entranced faces bent over their laptops and phones. There is some ironic comedy to be had here: particularly in two people secretly and derisively texting about a third person who is right in front of them, a dysfunctional practice camouflaged by the fact that everyone is on their phones all the time. As the movie advances, and ironic detachment recedes, this on-screen gimmick noticeably declines, too, and by the end it has disappeared altogether, although everyone’s web use has not really diminished one bit. Yet while it lasts, this is an interestingly metaphorical display of movies and online content competing for our frazzled attention.
In some ways, Men, Women & Children is a little like those movies of yesteryear about how TV (and particularly TV news) is terribly worrying. But this one inevitably tends towards emotional fence-sitting because of its reluctance to condemn its characters and satirically abandon them to their supposed web enslavement. A movie that really engages with web use still eludes us. In the meantime, this engaging black-comic sketch will do.
Professor Marston and the Wonder Women (2017)
| Release | : | 2017-10-13 |
| Country | : | United States of America |
| Language | : | English |
| Runtime | : | 108 |
| Genre | : | Drama |
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The unconventional life of Dr. William Marston, the Harvard psychologist and inventor who helped invent the modern lie detector test and created Wonder Woman in 1941.
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Breathe (2017)
| Release | : | 2017-10-13 |
| Country | : | United Kingdom |
| Language | : | English |
| Runtime | : | 117 |
| Genre | : | Drama |
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Based on the true story of Robin, a handsome, brilliant and adventurous man whose life takes a dramatic turn when polio leaves him paralyzed.
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